29 Apr 2024

9 in 1 (34)

Glitched to oblivion picture that kinda looks like a fruit salad sweet.

Shouldn't it be warmer by now?

Anyway, here are nine tracks that I came across over the past month or so.

Electrelane - I Want To Be The President

A band I've always liked when I've heard anything by them. Weirdo, scratchy indie rock with flecks of post-punk and tonnes of ideas. Need to get an album or two.


Depeche Mode - Everything Counts

I picked up Left Cultures 02 on a visit to Shelf Life, Canton a few months back. The first piece in there talks about Everything Counts. And now it's here.


Hylif - Eyes Wide Shut

Popped up on shuffle as I shuffled to the library in the drizzle, the juddering synth line that comes in around 2:30 is what makes it for me.


Roedelius - Geradewohl

Beautiful fuzzy analogue synth workout with tape hiss and that from 1980s Germany. Boards of Canada before Boards of Canada. Swear it's been sampled somewhere.


Total Giovanni - Human Animal

I think these guys listen to Talking Heads. A lot. Sarahtonin's played this a few times on her excellent show on Do!! You!!! Radio, 3pm Wednesdays.


Deft - Supa Dupa

Lush if a little OTT post-dubstep from 2012. Popped up on shuffle during the drive back from Bristol to see Thundercat (who was fab obvs).

Turns out I posted about this track back in 2013 when I accidentally walked to IKEA.


Adelphi Music Factory - Ready To Go

Another car bumper, this was on the radio on a particularly sunny trip back from Cowbridge. Maybe it was spring sunshine, maybe it was a quick pint of HPA in the Vale of Glamorgan Inn, but this throwback/pastiche rave track hit the spot.


Cece Peniston - He Loves Me 2 (Steve Silk Hurley Original 12 Inch Mix)

Classic house, sugary sweet but still with a lot of punch. Absolute bumper.


Lindstrøm - Closing Shot

Incredible, emotive electronic disco music that makes me want to drive down neon-lit highways. A lot of driving in this post, huh?

12 Apr 2024

Futuromania Delayedia

I had a good post day today with Simon Reynold's new book Futuromania arriving. His first book in 8 years, Futuromania "shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now." Right up my street.

It also came with a little fanzine called 'From Synthedelia to Memoradelia', which is nice. 

I'm reading Bob Mortimer's The Satsuma Complex at the mo, so I won't be diving straight into it, but expect tracks mentioned in it to crop up in future 9-in-1 lists. Though maybe not the next one as I think that's already full.

In the meantime, Reynolds did a guest show on NTS this week, so you can get a taste of what's to come.

1 Apr 2024

Numberwangs

I finished The Number Ones by Tom Breihan the other day - "Twenty chart-topping hits that reveal the history of pop music" is the blurb.

Another library find, the book is plucked from the Stereogum series and focuses on the Hot 100. I knew most of the tracks and was particularly looking forward to the later ones, big pop tracks from after I dropped out of following the charts.

So, I know I'm out of the loop, too old, too slow, but it still came as a surprise that I'd completely missed a track that's approaching 1 billion views on YouTube. A song that topped the US charts for seven weeks in 2016.

I'm talking about Black Beatles by Rae Sremmurd feat Gucci Mane...

I mean it's shite, but I should still be aware of it, right? How much else have I missed? And what have you missed? Everything is fractured, everything is walled off. Even the charts aren't the charts. As Breihan wraps up his book with a look at BTS and K-Pop, he states:

"... the Hit 100 is no longer a historical record of the music that dominates pop culture at any particular moment. Instead, the pop charts look more and more like a battlefield for competing fan armies."

And y'know I think that's a shame. Again, I'm acutely aware I'm an old bastard, but the charts should chart what's popular. 

And again, I'm saddened that we're losing a consensus, or shared experience, of what-happened-when, some cultural touchpoints which we can all acknowledge. It feels like sports are the only points-in-time events anymore, and even those are disappearing behind paywalls. Plus for the most part, the final score is the final score, an objective truth that can't be twisted or distorted.

Anyway, The Number Ones is a solid pick-up for anyone interested in pop, and particularly strong on tidbits and trivia. I mean, did you know that Chubby Checker was a pun on Fats Domino? Well, it didn't pop into my bubble.

PS: Use your local library before it's too late.